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dc.contributor.authorRodríguez Palomero, Luisa Fernanda
dc.date1996
dc.date.accessioned2019-03-24T01:13:58Z
dc.date.available2019-03-24T01:13:58Z
dc.date.issued2019-03-24
dc.identifier.issn0213-1382es_ES
dc.identifier.urihttp://hdl.handle.net/10612/10127
dc.description.abstractLiterary texts that were not central have acquired relevance and this phenomenon has been already approached and studied in profusion. A case of exceptional acceptability is that of some topics bom around the most representative romantic poets. "Frankenstein" has been rewritten by Brian Aldiss, Frankenstein Unbound which was also transformed into a SF I will study in which terms the dialogue of B. Aldiss with his own literary and historical past was established, and his textual debt, his own interpretation and adaptation of the myth and his role as an artist in this transformationes_ES
dc.languagespaes_ES
dc.publisherUniversidad de Leónes_ES
dc.rightsAtribución-NoComercial-CompartirIgual 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectLiteratura inglesaes_ES
dc.subject.otherIntertextualidades_ES
dc.subject.otherFrankenstein (Personaje de ficción)es_ES
dc.titleFrankenstein bound and unbound: from Mary Shelley to Brian Aldisses_ES
dc.typeinfo:eu-repo/semantics/contributionToPeriodicales_ES
dc.identifier.doihttp://dx.doi.org/10.18002/ehf.v0i18.4079es_ES
dc.journal.titleEstudios Humanísticos. Filologíaes_ES


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