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dc.contributor.authorKornmeier, Bárbara
dc.date1995
dc.date.accessioned2019-02-07T22:46:32Z
dc.date.available2019-02-07T22:46:32Z
dc.date.issued2019-02-07
dc.identifier.issn0213-1382es_ES
dc.identifier.urihttp://hdl.handle.net/10612/9545
dc.description.abstractThe main of this paper is to examine Giordano Bruno's conception of beauty his book De gli Eroici Furori. Firstly, I place Bruno's conception of beauty in the frame of his theory of knowledge, whose central problem is how we can know the divinity. Next, I connect Bruno's analysis of beauty with 'the problem of form and harmony, which is traced back to the classical problemof unity in variety. On this basis I examine the question about how we can know the beauty in the world. The knowledge of beauty requires that the beauty in the world is given a spiritual form, the unity of the idea, i.e. it requires the acknowledgement of its divine origin.es_ES
dc.languagespaes_ES
dc.publisherUniversidad de Leónes_ES
dc.rightsAtribución-NoComercial-CompartirIgual 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectLiteraturaes_ES
dc.subject.otherBeautyes_ES
dc.subject.otherDivinityes_ES
dc.subject.otherHarmonyes_ES
dc.titleGiordano Brunos konzeption des schönen in "De gli eroici furori"es_ES
dc.typeinfo:eu-repo/semantics/contributionToPeriodicales_ES
dc.identifier.doihttp://dx.doi.org/10.18002/ehf.v0i17.4113es_ES
dc.journal.titleEstudios Humanísticos. Filologíaes_ES


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