2024-03-28T17:22:34Zhttp://buleria.unileon.es/oai/requestoai:buleria.unileon.es:10612/127922021-02-01T01:01:03Zcom_10612_17col_10612_18
Facultad de Filosofia y Letras
García Álvarez, César
Historia del Arte
1999
2021-01-31T22:55:52Z
2021-01-31T22:55:52Z
0213-1390
http://hdl.handle.net/10612/12792
p. 275-290
The analysis of three works of the Romantic French Art (the Symphonie Fantastique by Berlioz, Notre Dame de Paris, by Victor Hugo, and Liberty Leading the People, by Delacroix), shows and proves the existence of deep structural and thematical analogies in them. The coincidences in the conception of the Feminine and its relationship with the idea of artist are not anecdotal, and could be explained by different hypothesis. Firstly, as a result of conscious influences among the three artists. Secondly, as manifestations of the period's latent culture and, finally, as three formal mouldings of the anima archetype.
SI
spa
Universidad de León
Arte
Literatura
Música
Pintura
Sincronicidad
Influencia (Psicología)
Analogía (Arte)
Berlioz, Hector, 1803-1869. Symphonie Fantastique
Hugo, Victor, 1802-1885.Notre Dame de Paris
Delacroix, Eugène, 1798-1863. Liberty Leading the People
5506.02 Historia del Arte
5506.13 Historia de la Literatura
6203.07 Pintura
6203.06 Música, Musicología
Azar, influencia, sincronicidad: analogías temáticas y estructurales entre tres obras de Berlioz, Víctor Hugo y Delacroix
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/openAccess
Estudios humanísticos. Geografía, historia y arte
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