RT info:eu-repo/semantics/article
T1 Cheng Dieyi en Adiós a mi concubina, ¿drag o actuación, queer o actor? =《霸王别姬》中程蝶衣一角：是异装还是表演？是酷儿还是演员？
T2 Cheng Dieyi in Farewell My Concubine, A drag or an act? A queer or an actor?
A1 Hongru, Xing
K1 Psicología
K1 Teatro
K1 Género
K1 Performatividad
K1 Performance
K1 Sujeto
K1 Gender
K1 Performativity
K1 Performance
K1 Queer
K1 Subject
K1 性别
K1 操演性
K1 表演
K1 酷儿
K1 主体
K1 61 Psicología
K1 6203.10 Teatro
AB [EN] This article reflects on the character Cheng Dieyi, highlighting the gender trouble thatemerges through the corporality. From Judith Butler’s theory of gender performativity, the articleattempts to propose the possible connection between the drastic shift in Dieyi’s gender identity andthe repetitive and performative practices of female impersonation throughout his professional learningto be a male Dan* actor of the Beijing Opera (Jingju). Beyond a usual reading which attributes Dieyi’s suicide to psychological disorders that confuse life and performance, my hypothesis is that his gendertrouble should be understood as queerness in affective and intimate terms; thus, exposes the dynamicrelation between performance and performativity and invites reflections and criticisms about suchdynamics in Butlerian performativity.
PB Universidad de León
SN 2444-832X
LK http://hdl.handle.net/10612/16703
UL http://hdl.handle.net/10612/16703
NO Hongru, X. (2022). Cheng Dieyi in Farewell My Concubine, A drag or an act? A queer or an actor?. Sinología hispánica. China Studies Review, 13(2), 127–144. https://doi.org/10.18002/sin.v13i2.7232
DS BULERIA. Repositorio Institucional de la Universidad de León
RD 19-may-2024