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dc.contributor.authorMoráis Morán, José Alberto 
dc.date2010-05-23
dc.date.accessioned2011-09-07T14:35:53Z
dc.date.available2011-09-07T14:35:53Z
dc.date.issued2011-09-07
dc.identifier.issn1696-0319en_US
dc.identifier.urihttp://hdl.handle.net/10612/1086
dc.description.abstractThrough the romanesque tympanum located in Ruiforco and Matueca of Torio (León) we carry out reflections on scuptural creation process which they were carried out by medieval artists in rural circles. A breakdown of these pieces contributes important details about the ways of doing them, their sources and, even, the type of artistic relationship established betwen the different workshops that were runing in these areas. Not for nothing, despite of the efforts realized by the most specialized historiography about this subject during the last years, it's still being complicated to establish a clear view of the way in which romanesque plastic arts away from the were important workplaces were understooden_US
dc.languagespaen_US
dc.publisherUniversidad de Leónen_US
dc.rightsAtribución-NoComercial-CompartirIgual 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectHistoria Medievalen_US
dc.subject.otherEscultura
dc.subject.otherArte románicoen_US
dc.subject.otherProcesos de creación artísticaen_US
dc.subject.otherTímpanos (Arquitectura)en_US
dc.subject.otherMatueca de Torío (León)en_US
dc.subject.otherRuiforco (León)en_US
dc.titleEn torno a los procesos de la creación artística románica en el medio rural: los tímpanos de Ruiforco y Matueca de Torío (León)en_US
dc.typeinfo:eu-repo/semantics/contributionToPeriodical
dc.journal.titleDe artees_ES


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Atribución-NoComercial-CompartirIgual 4.0 Internacional
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