RT info:eu-repo/semantics/article
T1 La transmisión formal e iconográfica de modelos en cuatro ejemplos del arte renacentista en León
A1 García Álvarez, César
A2 Historia del Arte
K1 Arte
K1 Renacimiento
K1 León
K1 Iconografía
K1 Signos y símbolos
K1 Italia
K1 Alemania
K1 Influencia (Arte)
K1 5506.02 Historia del Arte
AB The iconological method lies on the basic idea of iconographic type, understood as the inluence that a previous visual or textual model has over a concrete artistic work. The discovery of four different models in four works from the Renaissance art of León (an engraving of Marcantonio Raimondi for a possible relief of Hércules; a german engraving of G. Pencz for a triumph of Venus; different drawings by N. Rosex for a decorative panel, and another engraving, by H. B. Grien, as a model for a St. Sebastian) supports the thesis of a general influence exerted by the Italian and German art over Spanish art during the Renaissance, and allows to differentiate among various kinds of influences: the direct and literal copy of the model, the formal variation and the stylistical transformation of an artistic tradition. In the four examples, it is not possible to guarantee or to refuse (only from the formal analyis) if the original simbolic meanings of the models remain in the influenced images.
PB Universidad de León
SN 0213-1390
LK http://hdl.handle.net/10612/12788
UL http://hdl.handle.net/10612/12788
NO p. 273-288
DS BULERIA. Repositorio Institucional de la Universidad de León
RD 17-may-2024