RT info:eu-repo/semantics/bookPart
T1 The Court Ladies’ Role in the Transmission of Artistic Models. Some Cases in the Kingdom of León in the 12th Century
A1 Herráez Ortega, María Victoria
AD  1958-
A2 BilottaMaria Alessandra
A2 Boto VarelaGerardo
A2 Barral i AltetXavier
A2 Historia del Arte
K1 Arte
K1 Court Ladies
K1 Kingdom of León
K1 12th Century
K1 Artistic models
K1 Circulation of artists
K1 5506.02 Historia del Arte
AB [EN] The concern to get to know women’s role in the world of art has revealed the importance of female patronage, particularly in court environments. Queens consort could easily afford to commission sumptuous projects and, besides, had much more time than their husbands to develop literary interests and to enrich themselves in different fields. They were, therefore, potential promoters or artists’ clients. In most cases, royal matrimonies used to imply that the bride moved from her country of origin to her husband’s, and was accompanied by a large entourage carrying her belongings or objects she wanted to keep next to her in her new home.Together with her there could arrive luxury metal or ivory objects, illuminated books, fabrics, etc., and even artists.
PB Officina di studi medievali
SN 9788864851068
LK https://hdl.handle.net/10612/18106
UL https://hdl.handle.net/10612/18106
NO Herráez Ortega, M. V. (2018). The Court Ladies’ Role in the Transmission of Artistic Models. Some Cases in the Kingdom of León in the 12th Century. En M.A. Bilotta, G. Boto Varela & X. Barral i Altet (eds.), Medieval Europe in Motion. The Circulation of Artists, Images, Patterns and Ideas from the Mediterranean to the Atlantic Coast (6th-15th centuries)  (pp. 47-60). Officina di Studi Medievali
DS BULERIA. Repositorio Institucional de la Universidad de León
RD 12-jun-2024